January 2016. The love story that brought me to this village in Alsace where I live ended six months ago. At 45, I am now alone, without a car, a job or any real prospects, surrounded by luxuriant nature, the proximity of which is not enough to calm the deep distress into which I am plunged. France, still in shock from the November terror attacks, is in a state of emergency. I feel helpless, I suffocate with uuyuuyntained rage. I am lost and I watch four to five films a day. I decide to reuuyuuyrd this stagnation, not by picking up a camera but by editing shots from the stream of films I watch.